William Edward Davison was born in the northwest Ohio town of Defiance. He was raised by his maternal grandparents from the age of
seven on. Davison displayed a love for music at an early age, as well as a natural ability to master many musical instruments. He
first learned to play the mandolin, guitar, and banjo. He joined the Boy Scouts mostly because it provided an opportunity for him
to learn the bugle. At age 12 he graduated from the bugle to the cornet. The sharper tones of the trumpet never really appealed to
Davison, and he stayed with the cornet for the entirety of his musical career. His ear for music was so keen that after hearing a
song only once he could reproduce its melody perfectly and elaborate on it with perfect chord progressions and harmonic improvisation.
He committed to memory every song he heard, and his natural ear for pitch amazed even his fellow musicians. His ability to read music
was limited, but it was a skill that he really did not need for the style of music that most interested him.
Davison did not come by
his lifelong nickname accidentally. He was a heavy drinker beginning in his teens and was known as a womanizer. Davison went through
four wives before he finally got the knack of married life, settling down to a relatively monogamous relationship with his fifth wife--and
love of his life--Anne Stewart. Heavy drinking and womanizing were the two most obvious characteristics that made Davison truly wild.
He enjoyed his reputation for playful antics. Davison retained his musical abilities until the very end of his life.
He practiced
daily into his 80s and spent the final two decades of his life playing concert dates in Europe, where his music was extraordinarily
popular.
Wild Bill is the man to whom Louis Armstrong once declared, “Bill, if anything ever happens to me, I know you can keep on doing what I'm doing.” He built his career playing in Chicago nightspots during the roaring '20s, and in the '40s and '50s he joined Eddie Condon s famed house band in New York City, where he became known as a commanding front man and a brash, intense lead cornetist.
Like
a select group of other jazz instrumentalists, cornetist Wild Bill Davison had a talent that lives on long after his death. More than
a decade after Davison died at the age of 83, record companies continue to reissue some of the more than 800 songs he recorded during
his 70-year career. Jazz aficionados never tire of talking about some of the more memorable engagements played by the colorful Davison
around the world.
THE END OF THE AUGHT
December 2009
By Bryce Edwards
On the first of next month –
at midnight on the dot
We will say a farewell to the decade of the aught
As I sit with my pen, my memories to jot
I realize quite soon I won't miss it a lot
The twin towers go down in a terrorist plot
While Osama and his boys are not yet caught
There are many lessons this tragedy taught
And 9/11 will never be forgot
But that is not the only battle we fought
With economic fires getting incredibly hot
People's dream-house perched on a precarious lot
For we allowed folks to buy
using money they had not
We're recovering slowly from this
recession onslaught
While swearing at those whose
decisions have wrought
Such a strain on home budgets whose
purse strings are taut
With greed the root cause of
what they begot
But these problems will pass,
so be not distraught
And blessings abound -- forget them I'll not
And though I still may not own a yacht
There's enough food in my belly
to form quite a pot
I'll quit all my whining over things I have not
And give thanks for the many blessings I've got
With so many friends in this Eden-like spot
We bid adieu -- It's the end of the aught
(Reprinted with permission from local Islander,
Bryce Edwards)